Well now ... After published following four articles on all road movies also excellent as each other, it was time to move on (if one may say, since the theme of travel is still very present ), with this sublime film by Sofia Coppola, but yes, the daughter of the legendary director of Apocalypse Now (Which fortunately had inherited the physique of her mother, lol!). A pure gem, full of subtlety and tenderness, telling the unlikely encounter between a player on the back and a young woman abandoned by her husband, encouraged by the absolute strangeness of the place for the Westerners (Tokyo), which allows any overflow. Small trailer (very well made, incidentally):
From the sudden presentation of a giant:
Or it difficult to locate in this huge and sprawling city (the third world, I believe, after Mexico and Los Angeles), where more people do not write even with REAL LETTERS homegrown:
With the inevitable result presentation, after a lapse of time or more shorter, ending up at once completely dropped (well, "disoriented" would be more accurate), and do it all the more certain in appearance, most of our benchmarks of "Western citizens" are preserved:
Here, it must be said that Sofia Coppola has described this very strange presentation with unusual accuracy, especially she chose to make us live through two beings in the doldrums, a young girl adrift in love (Scarlett Johansson fantastic!):
And an actor adrift existential (no less fantastic Bill Muray, in relation to employment-cons), equally annoyed by letters or phone calls from his wife on subjects he does not care:
What by its presence in Japan because of a job that deeply fuck (an ad for Suntory whiskey)
Surfing, therefore, on the gentle wave of boredom and detachment (the theme of many Coen Brothers films), these two people not quite very good about themselves will end, without even finding million points in common, find quite nice to spend time together, and once again it is very well seen. Because you never know really what makes you feel good (or not) to spend time with a particular person rather than another?
Anyway, me, I'd not long to spend time praying Scarlett said with (well, he must stop dreaming, one day, lol !)... Because curiously, this girl is not immensely photogenic portraits on fixed appears "live" in a stunning beauty, which many times we take the lack of tears, her expression seems so sincere, natural and full of life
Moreover, about beauty, it is also quite reassuring that Sofia Coppola was not saving enough sublime shots on traditional Japan, such as the "Omikuji ( 御 神 签 , wishes that is knotted and then tied it at branches in the Shinto temples):
Or this lovely marriage, which by the purity and chastity of his actions, seems as formal abyss of the relationship will unite Bill Murray Scarlett Johansson:
That's why I was talking from the beginning, schizophrenia (or any at least, what seems like to us Westerners). Because that famous gap between tradition and modernity - which seems to be one for us, elsewhere - is present throughout the film, not least by the alternating sequence of Ikebana:
With what is probably the most television "trash" of the world, when she puts it (though I was in a good school with RAI!):
short, a wonderful film (it's never the tenth time I say it) to rent or to buy them!
I must say here that it is a film that touches me enormously, for lots of reasons: firstly because not far from fifty, I myself have a lot more friendly less thirty years of my age, and especially because having gone five times in Japan, I have known and experienced almost all representations of strangeness that can be felt in this country completely schizophrenic, he Whether the permanent aggression of neon and advertising (and even then you have no sound!):
From the sudden presentation of a giant:
Or it difficult to locate in this huge and sprawling city (the third world, I believe, after Mexico and Los Angeles), where more people do not write even with REAL LETTERS homegrown:
With the inevitable result presentation, after a lapse of time or more shorter, ending up at once completely dropped (well, "disoriented" would be more accurate), and do it all the more certain in appearance, most of our benchmarks of "Western citizens" are preserved:
Here, it must be said that Sofia Coppola has described this very strange presentation with unusual accuracy, especially she chose to make us live through two beings in the doldrums, a young girl adrift in love (Scarlett Johansson fantastic!):
And an actor adrift existential (no less fantastic Bill Muray, in relation to employment-cons), equally annoyed by letters or phone calls from his wife on subjects he does not care:
What by its presence in Japan because of a job that deeply fuck (an ad for Suntory whiskey)
Surfing, therefore, on the gentle wave of boredom and detachment (the theme of many Coen Brothers films), these two people not quite very good about themselves will end, without even finding million points in common, find quite nice to spend time together, and once again it is very well seen. Because you never know really what makes you feel good (or not) to spend time with a particular person rather than another?
Anyway, me, I'd not long to spend time praying Scarlett said with (well, he must stop dreaming, one day, lol !)... Because curiously, this girl is not immensely photogenic portraits on fixed appears "live" in a stunning beauty, which many times we take the lack of tears, her expression seems so sincere, natural and full of life
Moreover, about beauty, it is also quite reassuring that Sofia Coppola was not saving enough sublime shots on traditional Japan, such as the "Omikuji ( 御 神 签 , wishes that is knotted and then tied it at branches in the Shinto temples):
Or this lovely marriage, which by the purity and chastity of his actions, seems as formal abyss of the relationship will unite Bill Murray Scarlett Johansson:
That's why I was talking from the beginning, schizophrenia (or any at least, what seems like to us Westerners). Because that famous gap between tradition and modernity - which seems to be one for us, elsewhere - is present throughout the film, not least by the alternating sequence of Ikebana:
With what is probably the most television "trash" of the world, when she puts it (though I was in a good school with RAI!):
short, a wonderful film (it's never the tenth time I say it) to rent or to buy them!
And the final sequence (again particularly well regarded in his understanding of the psychology of characters, both sufficiently intelligent to understand that despite all the attraction they feel towards each other, this would not necessarily be a good idea to push things a little further):
Hence this very chaste kiss, the act "sexual" as they dared to allow himself eventually so fleeting (somewhere, so it's also fairly close to In the Mood for Love by Wong Kar Wai ):
In the hope that this is not the long term, censored by Youtube (this happens often), I can not resist the pleasure to deliver the last scene in its entirety (the Kleenex ready!):
we say more? Oh yes! This very talented young girl (I must say it runs in the family, too, not the name Coppola wants!) Also has to his credit the most intriguing Virgin Suicides, her first movie, and the somewhat controversial, but equally fascinating Marie Antoinette .
And in the wake : Thank you for the excellent flutist Isabelle, who regaled me this beautiful gift for my birthday!
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